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Vincente minnelli gay

Caricature by Paul Moyse

Film and stage director Vincente Minnelli(1903-1986) was born into a family of traveling entertainers. Although his early years were spent on the road learning show business, he settled in Chicago at age sixteen, where he took a profession as a window decorator for Marshall Field’s department store. His originality and sharp eye for plan details soon led him to the Broadway stage, where he was a successful costume and position designer.

Metro-Goldwyn-Mayer producer Arthur Freed discovered Minnelli on Broadway and brought him back to Hollywood to design dance numbers for movie musicals.

According to his biographer, Emanuel Levy (Hollywood's Dark Dreamer*), Minnelli lived as an openly homosexual man in New York prior to his arrival in Hollywood. He comported himself among the Dorothy Parker/Gershwin brothers crowd, and no one in those circles cared that he was gay. Unfortunately, Hollywood was another story, so he was pressured support into the closet when he moved to the west coast. He made the decision to repress his homosexuality by living as a bisexual.

Early on, sometime in the 1920s, Minelli became an effete, a dandy, a snob. He modeled himself after the

Vincente Minnelli: Hollywood’s Dark Dreamer,
By Emanuel Levy
St. Martin’s, 448 pages, $37.95

The division over Vincente Minnelli has always been between those who believe him to be an underappreciated musician, and those who assume him to be a glorified window dresser. Much of this difference does not truly relate to Minnelli’s films—which, for the first 10 or so years of his career, held to a elevated standard—but, rather, his personality.

As a young poof about town in New York, Minnelli wore pancake makeup and eyeliner, and even after he got to MGM and toned down his act, he remained slightly effeminate, not to mention painfully shy and inarticulate.

Making up like an actress wasn’t bad enough; he had to behave like an actress by trimming seven years off his age, telling people he was born in 1910 when he was actually born in 1903.

Directors with successful Hollywood careers didn’t act like that—George Cukor was gay, but he was also peppery, highly verbal and acutely intelligent—but here was Minnelli, flying in the encounter of social conventions, and managing to sustain a career.

But, as Emanuel Levy’s studious, slight

Wife Judy Garland

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Vincente Minnelli (February 28, 1903 – July 25, 1986) was an American stage director and film director, famous for directing such classic feature musicals as Meet Me in St. Louis (1944), Gigi (1958), The Band Wagon (1953), and An American in Paris (1951). An American in Paris and Gigi both won the Academy Award for Best Picture, with Minnelli winning Best Director for Gigi. In addition to having directed some of the most famous and well-remembered musicals of his time, Minnelli made many comedies and melodramas.[1] He was married to Judy Garland from 1945 until 1951; they were the parents of Liza Minnelli.

Producer Arthur Freed, who was not gay, never had as his purpose the creation of a team of gay artists for MGM, nor were all the members of the Arthur Freed unit gay. Freed did wish for a first-rate team, however, and hired without regard to sexual orientation. A large number of the gifted people on i

Judy Garland & Liza Minnelli: The Striking Similarities Between the Famous Mother and Daughter

That voice! Those eyes! Those gams! Between Liza Minnelli and Judy Garland, those attributions seamlessly implement to both. In 1954 A Star Is Born was meant to be Garland's huge comeback — and comeback she did — but it was eight years prior that truly, her star was born in the create of daughter Liza on March 12, 1946.

With a career spanning 60 years, Liza has become a legend in film and on stage. Famous for her Academy Award-winning role in Cabaret and her Emmy Award-winning TV unique Liza with a Z, Minnelli is one of those rare breeds who belong to the EGOT family: in fact, between 1965 and 2009, Minnelli has won a total of seven Emmy, Grammy, Oscar and Tony awards.

Her mother, perhaps, could've given her talented daughter a run for her wealth in the accolades department had she not prematurely died at the age of 47 from a barbiturate overdose. But still, despite Garland's early death, the existing parallels between mother and daughter are uncannily striking.

READ MORE: Judy Garland's Life Was in a Downward Spiral Before Her 1969 Death

Both had to grow up adv and be br

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